Defining a self, an identity. So often it is a construction in relation to an outside, to people, objects, ideas, categories and orders surrounding us. Sometimes, a tiny shift creates a huge difference in how we define our surroundings and therefore ourselves. I guess, at the end of the day, it might not make that big a difference if I sort my library alphabetically, by color or by genre. However, it does inform me of my priorities. Maybe I should consider sorting the library by size of the respective volumes, the number of pages, the date of publication or the store I bought the book in. All of these options follow some sort of logic and result in an inherent order.
JOHNNY
Yes, that was fun. Now we could start applying this idea to other things. There’s this bug in Australia, which often mistakes broken beer bottles for their mates and tries to breed with them. I guess to nobody’s surprise, it doesn’t effectively result in any offspring. I wonder if the limita- tions in perception, the categories deemed relevant by and for myself, in some way reflect back on a self-understanding, on how I place myself within the broader context of things. Am I the sum of things surrounding me or are the things surrounding me the sum of my perception, my order, my categories? I mean, how do I actually position myself in my environment? Or the other way around: where or what is this „self“ without its demarcation from a or the whole? Maybe this is too straight forward or banal or blunt, but maybe I’m even considering our possible inexistence without the world.
JENNY
Johanna Kotlaris nudges me, pushes me just so far that I can’t ignore my understanding of order, of categories and my limitations in interacting with the world in accordance to these preconceived structures of thinking about the res extensa. Here it is: the shift. Then again, to which degree may I separate myself, my identity, my physicality from what I am surrounded by? I know even less now than I did before and frankly, I’m pretty happy with that.
Danai Rossalidis & Clifford E. Bruckmann
Installation View - JOHNNY SPELLED JENNY Johanna Kotlaris - Mach, dass es nie aufhört long and very long cigarettes, 200 x 158 x 2 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY front right: Johanna Kotlaris - Permanently in Transit couch, clothing, 68 x 182 x 90 cm, 2021 left:Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 back: Johanna Kotlaris - Mach, dass es nie aufhört long and very long cigarettes, 200 x 158 x 2 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY left:Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 right: Johanna Kotlaris - Permanently in Transit couch, clothing, 68 x 182 x 90 cm, 2021 back: Johanna Kotlaris - Mach, dass es nie aufhört long and very long cigarettes, 200 x 158 x 2 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY front:Johanna Kotlaris - Mach, dass es nie aufhört long and very long cigarettes, 200 x 158 x 2 cm, 2021 right:Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 left: Johanna Kotlaris - Permanently in Transit couch, clothing, 68 x 182 x 90 cm, 2021 Photo: Patrick Cipriani
Johanna Kotlaris - Mach, dass es nie aufhört long and very long cigarettes, 200 x 158 x 2 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY middle: Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 back:Johanna Kotlaris - Telling a Joke Starting With the Punchline glass tables, found and made round objects, 42 x 50 x 50 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY front: Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 back:Johanna Kotlaris - Telling a Joke Starting With the Punchline glass tables, found and made round objects, 68 x 110 x 70 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY front: Johanna Kotlaris - Nicht verraten (Not Revealed, Not Betrayed) wooden cabinet, acrylic paint, iron nails, 92 x 85 x 42 cm, 2021 on top:Johanna Kotlaris - Wandaful Apple plaster, acrylic and spray paint, apple stem, 7.5 x 7.5 x 7.5 cm, 2021 back:Johanna Kotlaris - Telling a Joke Starting With the Punchline glass tables, found and made round objects, 42 x 50 x 50 cm, 2021 Photo: Patrick Cipriani
Johanna Kotlaris - Quantum Theory Donut plaster, acrylic paint, hot glue, couscous, box, 13 x 16.5 x 21 cm, 2021 Photo: Patrick Cipriani
Johanna Kotlaris - Quantum Theory Donut plaster, acrylic paint, hot glue, couscous, box, 13 x 16.5 x 21 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY left:Johanna Kotlaris - Le Plagiat (repetition 1) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 2) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 3) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 4) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 5) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 6) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 7) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 8) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 9) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 10) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 11) pencil and oil on linen, 54 x 64 cm, 2021 back: Johanna Kotlaris - Permanently in Transit couch, clothing, 68 x 182 x 90 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY from left to right: Johanna Kotlaris - Le Plagiat (repetition 1) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 2) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 3) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 4) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 5) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 6) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 7) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 8) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 9) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 10) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 11) pencil and oil on linen, 54 x 64 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY left: Johanna Kotlaris - Telling a Joke Starting With the Punchline glass tables, found and made round objects, 42 x 50 x 50 cm, 2021 right: Johanna Kotlaris - Le Plagiat (repetition 1) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 2) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 3) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 4) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 5) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 6) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 7) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 8) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 9) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 10) pencil and oil on linen, 54 x 64 cm, 2021Johanna Kotlaris - Le Plagiat (repetition 11) pencil and oil on linen, 54 x 64 cm, 2021 Photo: Patrick Cipriani
Installation View - JOHNNY SPELLED JENNY left:Johanna Kotlaris - Wannabe Tree customized 3rd generation inherited lamp, size variable, 2021 right:Johanna Kotlaris - Huge Napkin Bill hardware cloth, napkins, wallpaper paste, 115 x 180 x 140 cm, 2021 Photo: Patrick Cipriani